By Karen Fang
Critical idea and renowned knowledge are rife with photographs of surveillance as an intrusive, repressive perform usually suggestively attributed to japanese powers and against western liberalism. Hollywood-dominated worldwide media has lengthy promulgated a geopoliticized east-west axis of freedom vs. regulate. This booklet makes a speciality of Asian and Asia-based motion pictures and cinematic traditions obscured via lopsided western hegemonic discourse and—more specifically—probes those movies’ remedies of a phenomenon that western movie usually portrays with neo-orientalist hysteria. Exploring contemporary and old video clips made in post-social and anti-Communist societies reminiscent of China, Hong Kong, Taiwan, Vietnam and South Korea, the ebook selections up at the political and monetary matters implicitly underlying Sinophobic and anti-Communist Asian pictures in Hollywood movies whereas additionally contemplating how those societies and states depict the problems of centralization, militarization and technological innovation so usually figured as exact of the adaptation among japanese despotism and western liberalism.
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Extra resources for Surveillance in Asian Cinema: Under Eastern Eyes (Routledge Advances in Film Studies)
Surveillance in Asian Cinema: Under Eastern Eyes (Routledge Advances in Film Studies) by Karen Fang