By John Freedman
New drama flourished (almost) solely in small areas, usually in dingy basements that hired and accommodated small numbers of individuals. the large theaters mostly became a blind eye to what used to be taking place on small levels and in backrooms in playhouses, libraries and neighborhood facilities in a couple of selected sizzling spots round Russia — essentially Moscow, Yekaterinburg and Togliatti. in lots of instances, they took actively opposed stances towards it. this is able to swap, notwithstanding. And by means of the start of the century's moment decade, new drama used to be threatening to turn into a mainstream phenomenon. no longer each theater staged performs linked to new drama, yet virtually each all started staging performs prompted by means of the topics, tools and language of the recent drama movement.
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Additional resources for Real and Phantom Pains: An Anthology of New Russian Drama
Real and Phantom Pains: An Anthology of New Russian Drama by John Freedman