Download PDF by David M. Powers: From Plantation to Paradise?: Cultural Politics and Musical

By David M. Powers

In 1764 the 1st printing press used to be tested within the French Caribbean colonies, launching the reliable documentation of operas and performs played there, and staining the inauguration of the 1st theatre within the colonies. A rigorous research of pre–French Revolution functionality practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s publication examines the flowery method of social casting in those colonies; the environments during which nonwhite artists emerged; and either unfavourable and optimistic contributions of the Catholic Church and the army to operas and live shows produced within the colonies. the writer additionally explores the extent of participation of nonwhites in those productions, in addition to theatre structure, décor, repertoire, seating preparations, and kinds of audiences. The prestige of nonwhite artists in colonial society; the diversity of operas during which they played; their accomplishments, compliment, feedback; and using créole texts and white actors/singers à visage noirs (with blackened faces) current a transparent photo of French operatic tradition in those colonies. imminent the French Revolution, the learn concludes with an exam of the ways that colonial opera was once tormented by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their function in fostering aid for the king, in addition to the impression on next operas produced within the colonies and within the United States.

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From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789 by David M. Powers


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