Download e-book for iPad: Cruelty and Desire in the Modern Theater: Antonin Artaud, by Laurens De Vos

By Laurens De Vos

Departing from a clean examine the guidelines of Antonin Artaud, this publication offers an intensive research of the way either Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing those playwrights, De Vos minutely issues out how either of their personal means fight with coming to phrases with Artaud. A key thought in Lacanian psychoanalytic theories, hope lies on the root of the Theatre of Cruelty; Kane and Beckett end up that wish and cruelty are inextricably associated with each other, yet that they seem in considerably diverse disguises. hoping on Kane and Beckett, this ebook not just sheds a mild at the distinct intentions in the back of Artaud's undertaking, it additionally maps out the structural parallels and dichotomies among the Theatre of Cruelty and the literary style of tragedy. instantly after the top-rated of Sarah Kane's Blasted in 1995, a few reviewers made a hyperlink with Antonin Artaud's Theatre of Cruelty. those parallels, besides the fact that, have been exclusively in accordance with the abundance of actual violence on level. in accordance with those assertions, this publication lines minutely Artaud's legacy for later generations. using Jacques Lacan's psychoanalytical rules as a theoretical framework, De Vos defines Artaud's undertaking now not quite a bit by way of blood and goriness, yet fairly as a theater of ardour, revolving round notions as hope, love and the subjectile, an idea that was once drawn recognition to by means of Derrida. furthermore, the assumption of the scapegoat delineated via RenZ Girard presents a leg-up to elucidate the intrinsic parallels in addition to divergences among the Theatre of Cruelty and tragedy, whereas additionally Lacan's research of Antigone is being checked out. Phaedra's Love, Cleansed and 4.48 Psychosis are generally handled during this learn, and indicate the improvement Kane went via in her brief yet even as lengthy trajectory. The 3rd half on Beckett focuses totally on Krapp's final Tape and never I, and both so calls in Lacan to appreciate self-alienation and self-conceptualization in its relation to Artaud's Theatre of Cruelty. This e-book may be of use to an individual attracted to modern theater or within the box of psychoanalysis made acceptable within the arts.

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Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett by Laurens De Vos


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