By Shauna Vey
Looking on the day-by-day paintings lives of 5 individuals of the Marsh Troupe—the father and supervisor, Robert Marsh, and 4 baby performers, Mary Marsh, Alfred Stewart, Louise Arnot, and Georgie Marsh—Vey finds the realities of the antebellum theatre and American society: the increase of the nineteenth-century impresario; the rising societal structures of girlhood and goodness; the realities of kid exertions; the decline of the apprenticeship version of actor education; shifts in gender roles and the prestige of operating ladies; and adjustments within the fiscal types of theatre creation, together with the improvement of the inventory corporation system.
Both a microhistory of a pro theatre corporation and its juvenile avid gamers within the decade prior to the Civil conflict and a bigger narrative of cultural swap within the usa, Childhood and Nineteenth-Century American Theatre sheds gentle on how adolescence was once idealized either off and on the degree, how the function of the kid in society shifted within the 19th century, and the methods financial price and sentiment contributed to how young ones have been viewed.
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Additional resources for Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors (Theater in the Americas)
Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors (Theater in the Americas) by Shauna Vey