By Kimberly Jannarone
Kimberly Jannarone exhibits that Artaud's paintings finds units of doubles: one, a physique of notably power bought interpretations from the yank experimental theater and French post-structuralist readings of the Nineteen Sixties; and, , a darker set of doubles---those of Artaud's contemporaries who, within the tumultuous, alienated, and pessimistic surroundings enveloping a lot of Europe after international struggle I, denounced the degradation of civilization, yearned for cosmic purification, and known as for an ecstatic lack of the self. Artaud and His Doubles will generate provocative new discussions approximately Artaud and essentially problem the way in which we glance at his paintings and ideas.
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Artaud and His Doubles (Theater: Theory/Text/Performance) by Kimberly Jannarone